Big Brother lives (again) in the classroom. With the resurgence of pleasure reading , thanks in large part to J.K. Rowling and Stephenie Meyer, today’s middle and high school students are clamoring for engaging stories. And it seems that they don’t have to be completely original stories either. The dystopic genre has taken over the popularity crown from fantasy in the last year or two. Science fiction of this nature has fascinated generations of movie, TV, and book enthusiasts. For skeptical sci-fi readers, traditional science fiction seems to be a turn-off. Readers just venturing into the genre don’t seem too keen on aliens and space travel, so futuristic societies created after an apocalyptic event seem a little less intimidating and more like realistic fiction than science fiction. And like any good Bridge Book, these dystopic series are creating a whole new generation of science fiction fans who are easy to move along to classic sci-fi after their appetites have been whetted with some of today’s popular series. These three series can be used to bridge students to more classic science fiction.
THE DIVERGENT SERIES by Veronica Roth
In Beatrice Prior’s dystopian Chicago world, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can’t have both. So she makes a choice that surprises everyone, including herself.
During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles alongside her fellow initiates to live out the choice they have made. Together they must undergo extreme physical tests of endurance and intense psychological simulations, some with devastating consequences. As initiation transforms them all, Tris must determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes exasperating boy fits into the life she’s chosen. But Tris also has a secret, one she’s kept hidden from everyone because she’s been warned it can mean death. And as she discovers unrest and growing conflict that threaten to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.
THE MATCHED SERIES by Ally Condie
Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander’s face appears on-screen at her Matching ceremony, Cassia knows he is her ideal mate . . . until she sees Ky Markham’s face flash for an instant before the screen fades to black. The Society tells her it’s a glitch, a rare malfunction, and that she should focus on the happy life she’s destined to lead with Xander. But Cassia can’t stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society’s infallibility and is faced with an impossible choice: between Xander and Ky, between the only life she’s known and a path that no one else has dared to follow.
THE CHAOS WALKING TRILOGY by Patrick Ness
Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him — something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn’t she killed by the germ like all the females on New World? Propelled by Todd’s gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.
BRIDGE: All of these series have one thing in common: they are legitimate science fiction that novice sci-fi readers will not THINK is science fiction. Resistant sci-fi readers usually think that all science fiction involves space or aliens or zombies or robots. For readers who are not true science fans, this can be a reason to avoid the genre. These books provide a path to more classic science fiction and its like. There are several classic dystopic novels and series to point students toward when they’ve finished contemporary science fiction titles.
FAHRENHEIT 451 by Ray Bradbury
Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden.
Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.
When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.
First published in 1953, Fahrenheit 451 is a classic novel set in the future when books forbidden by a totalitarian regime are burned. The hero, a book burner, suddenly discovers that books are flesh and blood ideas that cry out silently when put to the torch.
1984 by George Orwell
The Oceanian province of Airstrip One (formerly known as Great Britain) is a world of perpetual war, omnipresent government surveillance, and public mind control, dictated by a political system euphemistically named English Socialism (Ingsoc) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as thoughtcrimes.Their tyranny is headed by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. Big Brother and the Party justify their rule in the name of a supposed greater good. The protagonist of the novel, Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (Minitrue), which is responsible for propaganda and historical revisionism. His job is to re-write past newspaper articles so that the historical record always supports the current party line. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother.
DUNE by Frank Herbert
Set in the far future amidst a feudal interstellar society in which noble houses, in control of individual planets, owe allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides, the heir apparent to Duke Leto Atreides as his family accepts control of the desert planet Arrakis, the only source of the “spice” melange. Melange is the most important and valuable substance in the universe, increasing Arrakis’s value as a fief. The story explores the multi-layered interactions of politics, religion, ecology, technology, and human emotion, as the forces of the empire confront each other in a struggle for the control of Arrakis and its “spice”.
OTHER TITLES: Readers who enjoy either the contemporary or the classic titles listed here might also enjoy The Ultimate Hitchhiker’s Guide to the Galaxy by Douglas Adams, Black Hole Sun (The Hell’s Cross Series) by David Macinnis Gill, A Clockwork Orange by Anthony Burgess, or The Lunar Chronicles by Marissa Meyer.